Monday, April 3, 2017


What is it about?

SHORT by Holly Goldberg Sloan is about a middle school student (who is short for her age), discovering the confidence to embrace who she is during her stint as a munchkin in a summer production of The Wizard of Oz.

How is it structured?

SHORT is written in first person, narrated by Julia Marks, a middle school student who is short for her age. The narrative is pretty straightforward, beginning at the start of summer as Julia and her younger brother Randy audition for and prepare for a local university production of The Wizard of Oz, and ending at the close of the production near the end of summer.

The narrative wanders quite often, as Julia veers off topic rather easily. One situation will lead her to go off on multiple tangent thoughts causing her to ramble on and on. Julia is also still mourning the loss of her pet dog (who died prior to the opening of this novel), and many situations cause her to reminisce about him.

SHORT clocks in at just around 300 pages.

What did I like?

Julia is an endearing protagonist. Her voice is somewhat emotionless, but witty at the same time. There are a lot of clever one-liners in this book. She plays dumb in many situations but understands more about people and relationships than she gives herself credit for. For the most part, she read like a realistic twelve-year old to me.

I also really enjoyed the quirky supporting characters. There is subtle depth to each one of them, from Julia's brother, to her parents, to the adults she meets and interacts with during the production. Julia learns a lot from paying attention to the adult mentors in her life, like Shawn Barr, the director; Olive, the dwarf actress; and Mrs. Chang, her elderly neighbor turned costume designer.

I also thought the setting was great. The behind-the-scenes theater preparation was very descriptive and authentic. This is probably a testament to Goldberg's experience in theater and film. There is no detail left out as the group rehearses for the production and readers learn a lot about the management and hard work that is involved in putting on a play/musical.

What did I dislike?

While I found plenty of witty humor in Julia's rambling narrative, at times, I great annoyed with her. Sometimes she would go off on tangents for no reason other than to go off on a tangent. Didn't always feel genuine.

She's also a bit of a loner. She's rather up front about alienating herself from her peers in the production and hogging all the spotlight she can. She talks about a few friends and reminds herself to reach out to them throughout the summer but she never does. I'm not sure if this was intentional or not, in an attempt to show us how isolated she is from her peers. The adults in the production fell in love with her and I'm sure adult readers would find her endearing, but I often wondered if kid readers would like her or be interested in her. Many of the students in my class would probably not have the patience for the many tangents in her narrative. I got the strong feeling while reading that she was written with adults in mind.

Another thing that slightly bothered me, was the revelation that she was not that short. In fact, Julia does not really even spend that much time in her narrative worrying about being short. She picks Olive as a mentor and is fascinated by the confidence she exudes as a dwarf, but for the most part Julia being short seems like a minor detail instead of being significant to the overall theme of the story. The lessons Julia learns tend to be more about being less selfish than being content with her height.

Final verdict?

SHORT is a sometimes humorous, often times thoughtful book about growing up. It's more character-driven than plot-driven and Julia Marks is an interesting, reflective character. If Julia was a student in my class, I think I would love her. I'm just not sure if the other students in my class would.

Friday, March 24, 2017

Scar Island

I recently became caught up on SLJ's Battle of the Kids Books and really liked Mexican-American author-illustrator Duncan Tonatiuh's clear and straightforward critique of FREEDOM IN CONGO SQUARE and FREEDOM OVER ME. I thought this format would help me get through my own thoughts on SCAR ISLAND, Dan Gemeinhart's latest...

What is it about?

SCAR ISLAND is about a group of juvenile delinquents attending a reformatory school on an Alcatraz-like island.

How is it structured?

SCAR ISLAND checks in at a relatively slim 249 pages. The story unfolds over 30 quickly paced chapters and the third person narrative focuses on Jonathan Grisby and his arrival and assimilation at Slabhenge Reformatory School for Troubled Boys. Interlaced occasionally between the chapters are letters Jonathan is forced to write home to his parents.

The story begins in a creepy way, as Jonathan arrives at Slabhenge by boat during the onset of a big storm. He is introduced to the villainous Admiral and his cast of grotesque adult minions and it is clear that Jonathan's extended stay at Slabhenge is going to be anything but pleasant. The plot quickly twists however, when a freak accident leaves all the adults on the island dead and the boys left on their own. There is some psychological intrigue as the boys wrestle with their longing to return home, and their desire for independence and freedom after being treated so horribly.

There are a few mysteries that string readers along, such as what is lurking behind The Hatch, a mysterious, century-old metal hatch buried deep in the tunnels beneath Slabhenge, and the reader is left in the dark about what Jonathan did to find himself in Slabhenge (although there is plenty of foreshadowing along the way).

What did I like?

The opening chapters of SCAR ISLAND are fantastic. Gemeinhart does a great job of pulling the reader into this very grim, atmospheric setting. He writes "a dark and stormy night" really, really well! It feels a little bit dated (we are never given a time period, the characters speak with thick, almost archaic accents, the Admiral carries a sword, and Slabhenge feels like a centuries-old castle) and I liked this obscure feeling.

Once we get to Slabhenge, Jonathan's arrival is filled with tension. The Admiral is so creepy that you naturally start fearing for Jonathan's well-being. He had the makings of a great villain. Likewise, Jonathan's first night in his cell is wrought with suspense.

I also liked the confusion among the boys once they were left alone on the island. Some boys wanted to stick around after being mistreated and experience some freedom and have some fun. However, others just wanted to go home. This confusion felt genuine and I was intrigued by the moral dilemma they found themselves in. There's a line where Sebastian and Jonathan are talking and Sebastian says, "You want to stay so you can be nothing. I want to stay so I can be something." I thought this was a great line and summed up their motivations.

What did I dislike?

Unfortunately, the wheels of the story come off when the adults die. In fact, I almost found myself wishing they hadn't and that Gemeinhart had a different story to tell. Sebastian's rise to power among the boys happened so quickly and I found myself highly doubting that any single boy in that situation, surrounded by so many like-minded boys, would be able to wield so much power so quickly. It did not feel genuine to me, the way the other boys just went along with everything Sebastian commanded. Especially when he starts to punish other boys publicly.

Likewise, I did not find myself connecting to Jonathan. This is the problem when you shroud so much of your protagonist's life in mystery. Readers will want to keep reading for the sake of getting to the bottom of the mystery, but there's not a lot of the character to grab onto. By the time we find out the truth about Jonathan, I found myself not caring much about him. Furthermore, we really don't find out much about any of the boys' pasts. We get tidbits from time to time but without any real glimpses into their past, it makes redemption impossible because we don't even know what they are redeeming themselves from! Being mistreated at Slabhenge for one chapter? I needed more...

Overall, I did not think the story was very exciting or suspenseful. At least, not as much as it was disguising itself to be. The boys acted so stupid, blindly following Sebastian as the hurricane approached, that I didn't really care if they made it out or not. I thought the Librarian character was just plain weird and given way too much page-time and I was disappointed when the mystery surrounding The Hatch turns out to be not much of a mystery after all. I had a difficult time picturing the facility. I also wanted more closure in the end than we are given.

Final verdict?

SOME KIND OF COURAGE by Dan Gemeinhart is one of my favorites in recent memory so my hopes for this one were high. It had all the makings of a HOLES-type book, but fell short of that because the characters (outside of Colin), just weren't very likable. I'm sure some students will find this very enthralling (Gemeinhart is a very good writer), but it just didn't work for me.

Thursday, March 9, 2017

1928: Gay-Neck: The Story of a Pigeon

It is generally difficult to explain to others my motivation for reading all the Newbery Medal winners. It is especially difficult to explain it to a 5th grader who is eyeballing you from across the room and can't for the life of him understand why anyone would spend time reading a 100 year old story about a pigeon, when they could be reading Rick Rjordan's latest adventure novel!

In GAY-NECK: THE STORY OF A PIGEON, a baby pigeon (Gay-Neck) is born on a rooftop in India to a young boy. Gay-Neck's mother and father teach him to fly but soon, both die and Gay-Neck is hurried off to the Himalayan Mountains with his master (author Dhan Gopal Mukerji as a boy) and Ghond, a hunter. In the mountains, Gay-Neck faces many of his fears and eventually trains as a carrier pigeon to be used by Ghond in World War I. Gay-Neck and Ghond are both sickened by the death and carnage they witness in the war and in nature and reflect on the meaning of it all.

Kids love animal stories, especially when the animals can talk and are placed in interesting situations. On the surface, GAY-NECK checks off those boxes! Maybe kids in the 1920's saw those characteristics in this title and appreciated it like the Newbery Medal committee apparently did. I can tell that author Dhan Gopal Mukerji has put more thought into his presentation for a child audience than let's say, Will James did with the previous year's winner SMOKY THE COWHORSE, but that's not saying much...

GAY-NECK: THE STORY OF A PIGEON felt like an old house with good bones, but in desperate need of a remodel and fixing up. There are components of the story that I can appreciate, but in the end, the age of the language and the clunky pacing of the plot bored me.

So what is there to appreciate in GAY-NECK? Dhan Gopal Mukerji treats his subjects (Gay-Neck the pigeon, and the Himalayan Mountains) with tenderness and care, again, similar to the way that Will James treated Smoky the horse. Mukerji is very descriptive in his detailing of Gay-Neck's travels and the natural beauty of the Himalayas. The fact that he gives Gay-Neck a voice in some chapters, allowing him to tell his own story, is also evident of this. I appreciated how this was done in a realistic way, instead of an anthropomorphic way. Gay-Neck doesn't "speak" to Ghond or Mukerji in the text, instead we get a peek inside Gay-Neck's head for certain parts of the story where Gay-Neck wanders off and the two humans aren't present.

I was semi-interested in the idea of carrier pigeons, too. I thought this was an intriguing topic for a children's novel. The idea of carrier pigeons helping in WWI is kind of fascinating because it seems somewhat archaic. A quick Wikipedia search however, provides you with tons of information that supports Mukerji's story. The scenes of Gay-Neck training for the war were somewhat humorous, in a Top Gun for pigeons kind of way. There was also some humor in "The Mating of Gay-Neck" chapter, in which Gay-Neck comes out of his wartime funk by getting romantic with another pigeon!

For the most part though, GAY-NECK was a bore. I had a very difficult time understanding what was happening. The long paragraphs and rambling narrative were mostly to blame for this (look for a paragraph break in the photo... you won't find one!). Furthermore, there were issues of consistency with Gay-Neck's voice that I don't think would have made it past Newbery discussions today. For instance, in one scene, Mukerji works hard to make Gay-Neck sound like a pigeon, unaware of what he is witnessing in the war. He refers to airplanes as "metal eagles" that "spit fireballs" yet later, he refers to them as "aeroplanes with sharpshooters." The naivety of Gay-Neck's animal voice did not always ring genuine.

Mukerji's heart is in the right place in GAY-NECK, whether I enjoyed the story or not. There are some relevant themes present throughout about the costs of war and the violence we inflict on each other. Above all, Mukerji wants readers to stop and reflect on the beauty of the world that is preset all around them in nature. I can certainly appreciate that.

Monday, March 6, 2017

Some Kind of Courage

I have held off writing about this one for a long time. I purchased it in a Scholastic book order over a year ago, in the beginning of 2016. I read it merely because it was the only "new" book I could get my hands on at the time. The Newbery Medal had recently been awarded and I felt compelled to get a jump start on titles for the upcoming year. Some of the books I really wanted to read had not yet been released and I have zero access to ARCs. Since I first read SOME KIND OF COURAGE, I have finished roughly 30 other books published in 2016 by some truly incredible authors. Still, SOME KIND OF COURAGE by Dan Gemeinhart remains one of my personal favorites from 2016.

SOME KIND OF COURAGE is set in Washington state, in the late-1800's. After both of his parents (and younger sister) die, Joseph Johnson sets out to recover his family horse, Sarah. Sarah has been swindled away from him by a dirty horse trader. Sarah is all he has left of his family and it is his responsibility to take care of her. Getting Sarah back however, proves to be more difficult than Joseph could have ever imagined. Along the way, he encounters bears, Native Americans, raging rivers, and even a mother in labor! Joseph is accompanied by Ah-Kee, a Chinese speaking boy who has been separated from his own family. Each obstacle they overcome brings Joseph closer and closer to his horse.

It's difficult to pin down exactly why I love this book as much as I do. While my affection for historical fiction has been growing over the years, it is still not a genre I gravitate toward. And I've never really been into westerns. But for some reason, SOME KIND OF COURAGE works for me. I found Joseph to be a very endearing character and I loved his relationship with Ah-Kee. The adventures they encounter are exciting, funny, unpredictable, and paced nicely. This was an easy page-turner. I think my real love for this book however, stems from the reactions I have witnessed from students while reading it. I have read this with two different classes of 5th graders now and many of them have recommended it to other friends. I gushed about this book to a coworker and they too, read it with a group of 5th graders and enjoyed it as much as I did.

I have read reviews that found Joseph's voice to be too good. Too wholesome, and Boy-Scouty. To each their own. I tend to disagree. Yes, Joseph is guided by a strong moral compass, instilled in him by his late mother and father. Doing them proud is all he feels like he can do to honor them. Because of this, I found his voice to be very genuine. Besides, he is not always perfect. He makes some harsh choices along his journey and acts in some unholy ways by the book's end. He has an inner voice that wrestles with this throughout, doing what is right and doing what is easy. But he continues to be guided by his mother and father's wisdom. Because of his determination to do what is right, given his bad, unfortunate circumstances, students have an emotional desire to see things work out for Joseph.

And I don't think this emotional reaction comes from cliched cheap tricks either. Kids today are a tougher audience than they were when I was 12 years old. You can't just kill off the dog in the final chapter and expect children to cry anymore. Kids have so many avenues for entertainment in today's society and many shows they watch and books they read approach material in a more mature way than was done years ago. Kids tend to be a bit numb to plot twists like the death of a major character, because it's done so often now. Suffice it to say, there is an art to making readers care about your characters. Consider Gemeinhart's recent novel SCAR ISLAND, which I just wrapped up reading with my 5th graders. Despite being in a similar heart-breaking situation, my students did not connect with the main character of that story. My 5th graders cared deeply about Joseph and Sarah.

When picked apart, some of the subplots of this story lose their punch. There is a scene where the boys are attacked by a bear and just as the tension rises to a fever pitch and you wonder how in the world they are going to get out of the situation (SPOILER)... Ah-Kee approaches the bear and talks a blue streak in Chinese. The bear is confused and leaves! Later, when Joseph and Ah-Kee barely survive a raging river, they stumble upon a picturesque cabin housing a mother in labor. (SPOILER)... Ah-Kee steps right in and takes care of her and even delivers the baby! I admit, despite my affection for this story, both of these situations seem like stretches of the imagination. Both scenes generated quite a rise out of students, but when stripped down, they could have been handled differently.

I tend to disagree however, with complaints over Gemeinhart's treatment of Native Americans in the story. At one point, Joseph and Ah-Kee stumble upon an injured Native American teenager. Joseph describes him in the following way: "He bared his teeth like a wolf and snarled a word low and mean in his native tongue." Some reviewers take offense to Joseph's comparison of the boy to an animal, but I find this to be a reach. Joseph is a boy living in the late 1800's with little to no experience interacting with Native Americans. Some reviewers have pointed to the Native American chief's willingness to loan Joseph a horse at one point in the story, as being out of character. I happen to appreciate the way Gemeinhart connects their two plights. This shows of compassion in the chief. I'm not sure why this would be considered uncharacteristic.

Despite a few over-the-top moments of belief suspension, I still love this story. I love Joseph and Ah-Kee's friendship and how Joseph has to rely on facial expressions and body language because of the language barrier. This theme of language is present in many of Joseph's interactions with characters other than Ah-Kee throughout the story. "A smile broke across Mr. Strawn's face, and I saw his shoulders relax. He looked past me at the three Indian men and talked to them in their native tongue. A ripple of relief ran through the crowd at whatever it was that he said."

This message of friendship and kindness beyond barriers was powerful and relevant. Joseph's mother tells him, "There ain't no problem between people so big that it can't be solved by folks sitting down and talking about it." Joseph wonders though, "if that particular piece of wisdom would work if the folks sitting down didn't speak the same language." Turns out, a lot can be accomplished by folks working together despite not speaking the same language. Joseph and Ah-Kee are proof of that. This message should speak loudly and carry some meaning in today's culture.

Thursday, February 16, 2017

All Rise for the Honorable Perry T. Cook

In late 2016, while many children's literature junkies were cramming for Mock Newbery discussions, I kept seeing this title pop up. I didn't see this book generating much discussion online, but it was a title that kept appearing places nonetheless. It received 22 votes on the Goodreads Mock Newbery list and currently sits at #14 on that list. Suffice it to say, ALL RISE FOR THE HONORABLE PERRY T. COOK by Leslie Connor seemed to fly under the radar in 2016 and that, more than anything, is what drew me to the title. That, and the fact that any book whose jacket cover boasts praise from the one and only Gary D. Schmidt (one of my favorites) is a book that deserves my attention!

Eleven-year-old Perry Cook lives an unusual life. Perry was born and raised inside of a minimum security correctional facility in Surprise, Nebraska. Perry is thoughtful and polite and his presence inside the facility has made a positive impact on its residents. To Perry, Blue River Correctional Facility is home. Life is turned upside down for Perry though when a well-meaning district attorney discovers his living situation while preparing for Perry's mom's upcoming parole hearing. Jessica Cook is nearing the end of serving out her sentence for manslaughter. Forced to live outside of Blue River now, Perry must get to the bottom of what his mom is hiding in her story and confession and figure out a way to derail the district attorney's plans of stalling her parole and extending her sentence.

I loved this book! The concept is highly original and the characters were all awesome. Perry's voice is perfect in a polite, socially awkward kind of way. He brings this positive energy and hopeful perspective to every situation and relationship he is in and it rings true to the sheltered kind of life in which he has been raised. Perry finds friendship in Zoey Samuels who is great as well. She stands up for Perry and helps him in many different ways and their friendship feels authentic. Jessica Cook is given her own point-of-view chapters scattered throughout, letting readers know there is more to her story. She is a beacon of light in Blue River and has impacted the lives of every resident in the facility.

My favorite character however, is the story's "villain," Thomas VanLeer. The district attorney seeking to extend Jessica's sentence turns out to be none other than (SPOILER ALERT)... Zoey Samuel's step-father! VanLeer is well-intentioned in his attempt at giving Perry a better life outside of Blue River (Perry moves in with Zoey's family while his mother's parole is delayed) but terribly naive. VanLeer is such a compelling character in so many ways. He's part Do-Gooder. He's part bumbling idiot. He's part public crusader. He's part self-serving. He really does want to help Perry, but is blind to the fact that Perry doesn't need his help. Perry needs his mother. If it weren't for VanLeer's prying, Jessica would be out. Inside Zoey's house, VanLeer is outnumbered as even Robyn, Zoey's mom and Thomas's new wife, sympathizes with Perry. Which begs the question... Given the number of arguments they have over the course of the book, what is Robyn even doing with Thomas?

VanLeer's presence provides the story with some interesting moral ambiguity for young readers to chew on. During Jessica's parole hearing, VanLeer actually raises some decent points worthy of discussion. Should a child be allowed to be raised in a correctional facility? If so, until what age? Who would be responsible if something happened to him? This is an interesting hypothetical that I think kids would have fun debating. I can see some kids seething mad at VanLeer's actions and I can see some kids cheering him on.

As far as the correctional facility goes, there is quite a bit of suspension of disbelief required. I don't have a lot of experience inside facilities like Blue River, but the place seemed way more PG-rated than I would realistically imagine. I know this is a minimum security correctional facility and this is a children's novel so expecting a scene out of OZ or THE NIGHT OF is probably a bit impractical, and I could see the argument that Perry's presence inside the facility has warmed the place, but still, a PG-13 type of setting would've made this a little more believable. I kept wondering if everyone inside Blue River was so happy? Everyone the reader is introduced to is always smiling and high-fiving and hugging Perry. Maybe a glimpse, even a brief glimpse, at the underbelly of the facility, would have made this setting a little more workable.

The theme of redemption is powerful and uplifting though and this coupled with characters I cared about made up for the cheery correctional facility setting. I am also drawn to mystery stories and while this novel is not a straightforward mystery, I found myself flipping pages faster and faster so I could get to the bottom of Perry's mother's case. Her story was compelling as were the stories of other residents of Blue River.

This was a story I wish I would have read earlier in 2016. I could have seen myself getting behind this on Heavy Medal, if anything, for the sake of discussion. The things this novel does well, like establishing a theme and delineating characters, it does better than many other novels I read in 2016. The areas it falls short, would have been interesting to discuss and weigh. Either way, I highly recommend ALL RISE FOR THE HONORABLE PERRY T. COOK.

Monday, February 6, 2017

1927: Smoky the Cowhorse

Poor, poor children of the 1920's, if SMOKY THE COWHORSE was the best children's literature had to offer. I started reading SMOKY THE COWHORSE nearly one year ago. I read one-third of it and couldn't bear it. It has sat on my desk at school ever since, bookmark holding strong. Recently, I felt compelled to get back to my Newbery reading so I mustered up all the focus and determination I could and pushed through...

It is difficult to summarize such a wandering epic story. Smoky was born wild, in western United States, He and his mammy are herded by a human and branded, but released. Smoky grows big and strong only to be kicked out of his own family when a black stud comes along and takes the herd for his own. Smoky roams the countryside with a lone buckskin and a strong pardnership forms. This is the first act of the book, and it does not unfold as quickly as I just made it sound.

Act II begins with Smoky being rounded up by the cowboy Clint, who immediately takes a liking to Smoky because of his wild, stubborn spirit. Clint is determined to break Smoky and over five years time, his hard work pays off. Smoky is loyal to Clint, and Clint alone, and earns a reputation as one of the best cowhorses around.

One winter though, while Clint is away during a wild snow storm, Smoky and his group get herded away by the horse thief. Thus begins a turbulent Act III. Smoky doesn't take to the horse thief too well. Smoky is beaten repeatedly for being stubborn and one afternoon, enough is enough and Smoky pounces on the thief and kills him. Smoky is found wandering the wild, taken in by a rodeo as a man-hating, bucking bronco nicknamed The Cougar and becomes famous. After years of headlining the sport, Smoky loses his spirit once again and finds himself as a downtrodden riding horse nicknamed Cloudy. In the end, after years apart, he winds up with cowboy Clint again and this raises his spirit.


SMOKY THE COWHORSE was written by a real cowboy, Will James, so one can excuse the poor cowboy grammar throughout. It actually adds to the authenticity of the story. I heard Sam Elliott in my head, narrating. It's obvious that James loves his subject and his passion comes through in his careful detailing of every one of Smoky's behaviors and mannerisms. I read that Smoky was based on one of James's own horses and that makes sense to me after reading. He handles Smoky with a lot of care.

This did not read to me as a book for kids. There is not one single child character in the entire book! The violence in Smoky's journey is heartbreaking and definitely fits in among other sad-animal books for children. It read to me as a love letter from an adult cowboy to a horse he loved dearly. And apparently, according to Will James himself, was never published as a book for kids. This is interesting and raises questions about the crop of children's literature in 1927 considering the committee didn't choose any Honor books either.

I have mixed feelings about this book. Personally, I didn't like it. It took me a long time to finish. It isn't a genre I am interested in or enjoy and Smoky's roller coaster of a journey was a bit too much for me. On the other hand, I can appreciate Will James's authentic cowboy voice and the compassion he writes Smoky with. Smoky and Clint's relationship was nice, in a rough cowboy way and I am glad they found each other in the end.

Wednesday, February 1, 2017

More 100 Word Reviews

A few more short, economical reviews, SAMURAI RISING being my personal favorite read of the three...

By Pamela S. Turner

SAMURAI RISING by Pamela Turner, tells the story of Morimoto Yoshitsune, one of Japan's most notorious and ruthless samurai warriors. Turner recounts Yoshitsune's early days as an orphan to his rise as a bold and reckless general in the Morimoto army. The story is taut with thrilling action and layered with 12th-century political intrigue. Readers beware: Few nonfiction books for children are as violent as SAMURAI RISING. Page after page, arms and heads are slashed from bodies. Some of the more famous deaths are treated honorably but most are somewhat dehumanizing. A thrilling and fascinating piece of historic literature nonetheless.

By Louise Erdrich

MAKOONS is the fifth book in Louise Erdrich's Birchbark House series about a nineteenth century Ojibwe family living on the Great Plains. MAKOONS is considered a sequel to CHICKADEE, centering on twin boys Makoons and Chickadee. Intricate descriptions of the family's day-to-day routines, like their cleaning and utilization of the hunted buffalo, added to the authenticity of this text. I appreciated the amount of humor in the book (Gichi Noodin). I don't know many middle age readers who would get much out of this on their own, but a fun and thought-provoking look at Native American life in the 1800's.

By Natalie Lloyd

In THE KEY TO EXTRAORDINARY by Natalie Lloyd, Emma Pearl Casey is on a mission to discover her destiny. Every female ancestor in Emma's family has had their destiny revealed to them in a Destiny Dream, and when Emma's dream finally happens, her destiny is shrouded in mystery. Fans of A SNICKER OF MAGIC will feel right at home in Blackbird Hollow. Supporting characters and subplots are rich with quirky details and depth. Natalie Lloyd's whimsical writing draws comparisons to Ingrid Law's SAVVY. Unlike Law's books, Lloyds stories are stand alone and highly accessible, EXTRAORDINARY coming in at 227 pages.