Tuesday, November 25, 2014
Jonathan Auxier's THE NIGHT GARDENER rests right on that line.
THE NIGHT GARDENER is not for the faint of heart. It will undoubtedly give children (and some adults) nightmares. That being said, this is the best, most complex work of fiction I have read this year.
I can tend to be long winded, so I will keep my summary of this story short. Molly and Kip are the main characters of this story. They are orphans, working in a dilapidated Victorian mansion, for a creepy family, The Windsors. From the onset, Molly and Kip feel as if they should leave this place, but they have nowhere else to go. Then, scary stuff happens.
The visuals in this novel are incredible.
"But strangest of all was the tree.
The tree was enormous and looked very, very old. Most trees cast an air of quiet dignity over their surroundings. This one did not. Most trees invite you to climb up into their canopy. This one did not. Most trees make you want to carve your initials into the trunk. This one did not. To stand in the shadow of this tree was to feel a chill run through your whole body.
The tree was so close to the house that they almost seemed to have grown together--its gnarled trunk running up the wall like a great black chimney stack. Palsied branches crept out in all directions like a second roof--including a few that appeared to cut straight through the walls. 'It's almost a part of the house,' Kip said softly.
Why any person would build a home so close to such a terrible tree was beyond him."
Often times, whether or not a story ends up GOOSEBUMP material, depends on the handling of the bogeyman. All scary stories have a bogeyman, and the bogeyman makes or breaks the story. Kids either run and hide and have nightmares of the bogeyman, or they laugh at him because he's covered in slime. Take the movie Signs for instance, directed by M. Night Shyamalan. This taut, alien invasion story is all kinds of creepy until the final 10 minutes of the film. The fear and tension build off screen for the entire movie, then all of the sudden, this gangly, awkward, dumb-looking alien is standing in the family's living room and Joaquin Phoenix is beating it with a baseball bat. Movie, ruined.
THE NIGHT GARDENER does NOT suffer from this. That's all I'm going to say.
All aspects of this story are top notch. The description of the Victorian-era setting is fantastic. Each character is given their own arc making the character development highly distinguished. The twists and turns of the plot are dizzying, yet impressive. Just when you think one seed of a mystery has been planted, it sprouts, ripens, and is plucked from its vine within just a few pages. The plot moves along briskly, balancing so many questions and subplots brilliantly, never giving the reader more than they can handle and always giving the reader just enough answers to entice them along.
I could have finished this book in just a few sittings (it was that enthralling), but I found myself slowing down and savoring the story and the language. You will not find more descriptive sentence level writing and prose than Auxier's work in THE NIGHT GARDENER. As demented as it sounds, I didn't want it to end.
Word of warning though: You will want to read this one during the day time. Or with the lights on. Every light on.
And away from trees. Definitely away from any trees.
Lynne Rae Perkins seems to have beat me to the punch.
Perkins is a Newbery Medal-winning author, best known for her novels ALL ALONE IN THE UNIVERSE, CRISS CROSS, and AS EASY AS FALLING OFF THE FACE OF THE EARTH. She has dabbled in juvenile fiction before but those three popular books all fall squarely upon young adult shelves, typecasting her as an author of more young adult fare. Suffice it to say, NUTS TO YOU seemed to me, to be a bit of a change of pace for Perkins, which I love seeing authors try from time to time.
NUTS TO YOU begins with Perkins herself, sitting on a park bench. A squirrel approaches her and begins to tell her this story: Jed the squirrel is captured and carried away from his village by a hawk. While contemplating his impending death, Jed miraculously escapes from the hawk's clutches and falls into a neighboring squirrel village, many many trees away. Jed's friend TsTs witnesses the entire thing and is determined to rescue him. She enlists fellow squirrel friend Chai to accompany her along the "buzzpaths" (electrical power lines) to rescue Jed and bring him home. Call it, THE INCREDIBLE JOURNEY, just with squirrels instead of dogs and cats.
Maybe I'm just juvenile myself, but I found myself cracking up occasionally throughout NUTS TO YOU. The redneck squirrels who rescue Jed are particularly funny ("Be loik wooter!"). I love how Perkins doesn't take her voice too seriously, keeping this tale light and swift-moving. Too serious of a tone and the reader would not care for these furry creatures as much. Instead, by showcasing them as the small-brained, short-attention-spanned, little animals that they are, allows the reader to have fun with them, and in turn, develop an affection toward them. I'm sure there are some readers out there who will find the squirrels annoying, but those readers probably don't like squirrels in general and they probably shouldn't pick up a children's novel about squirrels in the first place!
I thought Perkins captured the squirrels voices, thoughts, and actions perfectly. The squirrels themselves never fully realize the danger they are sometimes in, because they cannot focus long enough to be scared! There are surprising themes of friendship, acceptance, and adventure as well as an in-your-face lesson to humans about nature. Perkins' involvement in the story is clever too!
I found NUTS TO YOU to be a fun read. If you get a kick out of watching squirrels chase each other up trees, you probably will have fun with this book too. If you don't like squirrels, well, nuts to you!
Thursday, November 13, 2014
Everyone knows about the atomic bomb and its effects, so in BOMB, Sheinkin's storytelling abilities really shone. He took a topic many had extensive background knowledge of, and wove an intricate, yet thrilling narrative of the scientists and countries behind creating the atomic bomb. BOMB was recognized as distinguished by many because of the way Sheinkin crafted that story.
THE PORT CHICAGO 50 goes like this: During World War II, the Navy finally allows African-Americans to serve in roles other than mess hall attendants and cooks. What should have been an advancement in Civil Rights, quickly turned into further segregation as enlisted African-Americans were sent to California to load ammunition (sometimes "hot") onto ships. Someone had to do the job and the Navy thought it was the perfect job for their new black enlistees. Late one night, a cargo ship explodes, killing many, and soon after, the Navy marches the black groups back out there to continue loading ammunition. 50 men, "led" by Joe Small, refuse to load ammunition and are court-marshaled and tried for mutiny.
I'm willing to bet that not many have heard of the Port Chicago incident, especially younger readers. I'm in my 30's and I had never heard of it. So with THE PORT CHICAGO 50, Sheinkin has a head start in captivating his readers because the story feels so new. While he doesn't have to rely so much on his storytelling abilities to weave together the research and narrative here, he still proves to be a master at it. The character development of Joe Small and other members of the Port Chicago 50 is top notch, and the courtroom drama is on par with A Few Good Men.
This is a story that needs to be read. There is an extensive canon of civil rights literature out there, with heroes like Rosa Parks, Jackie Robinson, and Martin Luther King Jr. Much like Phillip Hoose did with CLAUDETTE COLVIN in 2009, Sheinkin has uncovered a story that needs to enter that canon. I hope teachers wouldn't be too scared of the language (Sheinkin does drop a few censored f-bombs) to introduce this to young readers. Any 5th grader on up, learning about World War II or the Civil Rights Movement needs to read this story.
"These are the stories we think of as the foundation of the civil rights movement, and rightfully so. But it's important to remember that before Brown v. Board of Education or Truman's executive order, before Rosa Parks or Jackie Robinson--before any of this, there was Port Chicago."
This is my top read of 2014, so far.
Wednesday, November 12, 2014
Which makes the voice in a novel like this a tough sell. For the most part, Graff does a nice job depicting Albie, a socially awkward, learning disabled 5th grader. There are times however, where Albie comes across as too socially ignorant (think Sheldon, from The Big Bang Theory) for the sake of the narrative, a plot point here and there or a funny line of text. There are times where Graff writes Albie very black and white, yet there are times where Albie is able to see the gray between. Sometimes these moments come when the reader would least expect it. Which again, is because Lisa Graff is an adult, writing as if she was a 5th grade boy with a learning disability. As genuine as some of his voice may be, (certainly the intent behind the voice), Lisa Graff is not a 5th grade boy.
But none of that makes ABSOLUTELY ALMOST a bad book. It's actually far from being bad. It's a quick read because Albie narrates in blunt, short sentences. Its themes of friendship, fitting in, struggling in school, bullying, and working parents are very relevant. This book's child audience would find a lot to relate to.
I thoroughly enjoyed the supporting characters in Albie's world. His mother and father try as best they can to be loving parents, but instead are as ignorant of Albie as Albie is of others. Darren, the bully, is as mean as they come (and SPOILER, don't expect him to necessarily get what's coming to him either; Bullies in the real world don't always get what's coming to them). The Oscar for Best Supporting Actress however must go to Albie's babysitter for the majority of the novel, Calista. I loved Calista as much as Albie loved Calista. And my heart broke for Albie following the "sad day" Calista allowed him to have.
In a way, I feel like ABSOLUTELY ALMOST is Newbery bait. This feels like the type of novel the Newbery committee would love. Interesting first person narrative. Emotional learning disability. Bullying. Realistic fiction... Thankfully, I think many kids would enjoy it too.
Monday, November 3, 2014
Felicity's mother has a difficult time staying in one place for too long. Because of this, Felicity has grown accustomed to life-on-the-go and making new friends in school. Something about Midnight Gulch feels like home though, and once Felicity befriends Jonah, "The Beedle," she doesn't want to leave. There's magic in the air and with a town history that draws her in, Felicity finds herself hoping that this is one place her mother won't want to run from again.
The problem with A SNICKER OF MAGIC is that I am not the ideal reader for this book. I understand that that is not really a problem with the book itself at all. Many of my 5th grade girls, who love to live in the clouds, are the ideal readers for this book. Being reminded of Appelt and Law's style of writing, made it really difficult for me to appreciate the language in the book, which I usually do not have a problem with despite not being a member of its ideal audience.
I do think Felicity is an interesting main character though. I can see a lot of 4-6 grade girls loving her voice. She collects words the same way boys collect baseball cards and bugs. The words she collects come from people and places and situations. It's similar to synesthesia in a way. In the following passages, she describes herself and this trait perfectly:
"Here's the thing: I see words everywhere, all around me, all the time. I collect them. I think about them. I say them fine if I'm talking to Mama or Frannie Jo or my aunt Cleo. But words are a mess when I try to say them to more than one person at a time. They melt on my tongue like snowflakes. They disappear right off the edge of my lips, and I end up standing there blinking, openmouthed, like the Queen of Dorkville."
"I might have walked off and left it there if I hadn't looked down and seen so many words spinning around the paper, thin as wire rings around a clay planet. The paper had a noise to it, too. Most words don't sound until they hit the air. But the paper hummed like an electric wire, right up until the second I touched it."
It's obvious that Lloyd has talent. You can see that in just those few examples. That text would be right at home in Ingrid Law's SAVVY. In fact, I almost picture Lloyd sitting at her computer, typing this story, with a copy of SAVVY open in her lap!
Which is my biggest problem with the book, personally. The back of the jacket of this book boasts a quote from Natalie Standiford, author of The Secret Tree, calling this book "original." However, I feel as if I've read this story before. Maybe not "this story," but this style of writing. Books with this kind of voice are becoming commonplace in children's literature.
There is a good story here, regarding the mystery surrounding the town history in Midnight Gulch, and the cast of quirky characters are loveable and fun throughout, but at 311 pages, I found myself looking ahead at the pages left and counting them down until the end. And not in a good way!
All that being said, based on recent history, I wouldn't be surprised to see this one honored come February.